New Work: Suburban Sprawl (the McMansions)

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Suburban Sprawl, 2019, Artist Book, Hand Embossed

Before I get into why I made this piece I will give my definition of a McMansion.  A McMansion is an excessively large home on a lot that is way too small and contains an over abundance of architectural features that often compete with one another.  I do not know anyone who lives in this type of housing but there seems to be a great deal of it being built in “up and coming” areas; therefore, I am bound to meet someone sooner or later who lives in one and piss them off if they ever read this.

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Suburban Sprawl, detail

Though I have long been aware of the McMansion (see this early post), it was not until I lived in a suburban area where there is a serious shortage of affordable housing and I could witness first hand the destruction of important habitat, that the McMansion really made a serious impact on my thinking.  So the McMansion became a scapegoat as my way of raising concern on the issues of over development and the shortage of affordable housing.

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McMansion sketches

I choose the format and the medium very deliberately.  First and foremost is the house shape, something I use often in my work. But the look of the house could not be the standard few windows and door that I often depict. The features had to be exaggerated so I made several sketches based on things I had seen.  Then there was the number of houses, which I decided to be 25 for no reason except it seems like enough to create the “sprawling” I felt was necessary to convey the loss of land (and I knew I could reasonably make 25 houses without pulling my hair out).  I connected the houses to emphasize the lack of a suitable plot of land for such a large house.

 

Lastly, I choose to use blind embossing to emphasize the absence of any personal

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Blind embossing plate

ornamentation, interesting garden or yard features. Ironically, blind embossing is often a medium I equate with elegance and simplicity but it seems to work more in this case within the context of banality.   A blind embossing is made with a cardboard plate. Paper is places on top of the plate and hand scored along the relief shapes.   It is an underused medium and I do intend to write up a bit more about the medium itself in the very near future.

So I “feature”, or more accurately poke fun at, the McMansion as  my newest piece relating to home, housing, and community.

What is Home to Diane Podolsky

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Diane Podolsky ~ Home

Diane was born in Philadelphia, PA and currently resides in North Carolina.

Home for me is a connection to my physical surroundings which not only encompasses visual stimuli but smells, sounds, etc. But since we are dealing with images for this project, I will talk about visual stimuli. My favorite story about how sensory stimuli live deep in our subconscious was when a student asked me what all those “funny cross things” were in my artwork. The student was not familiar with TV antennae. From riding the El (elevated train) on a daily basis with a rooftop view of the world, these shapes etched themselves deep in my subconscious and made regular appearances in my artwork along with street lights, hanging laundry, church steeples, fire escapes and row houses.  Then my landscape changed.  My new landscape is a strange mix of rural, suburban, and small towns. The air and the light in the sky are different.  My new landscape has left its mark on me enough to say it is familiar enough to feel somewhat comfortable and will be added to the images my subconscious has stock piled. So my house that I completed shows the landscape I have known most of my life faded out in the background and replaced by the new.

Diane is the curator of the Cookie Cutter House Project, has enjoyed a long and varied career in the visual arts, and currently works on a vegetable farm in North Carolina.  She plans to start printing again in the near future.